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Question: The Lancaster Chamber Orchestra is a small

The Lancaster Chamber Orchestra is a small community orchestra that offers two distinct concert series for its patrons. Series A is devoted entirely to the performance of a classical repertoire and offers 10 concerts throughout the year, while Series B consists of six pops concerts and serves to broaden the audience base of the ensemble. Since programming needs change from concert to concert, musicians are hired on a perservice basis. (A service is either a rehearsal or a concert.) They are paid at differential average rates due to instrumental doubling requirements and also due to solo pay for woodwinds, percussion, and brass players. After the budget has been set, variances in musician costs are the result of changes in programming and rehearsal scheduling. Programming changes can cause different numbers of musicians to be needed for a particular series of rehearsals and concerts or can change the doubling requirements. Changes in rehearsal scheduling can alter needs for certain families of instruments at some rehearsals. For example, one Series A concert usually consists of six services, but not all instruments are required at each service. Programming and rehearsal scheduling are decided by the music director, Maestro Fritz Junger, but musician cost constraints are imposed by the director of production, Candice Wrightway. Budgeted and actual musician costs for the 2010–2011 season follow.
The Lancaster Chamber Orchestra is a small community orchestra that offers two distinct concert
series for its patrons. Series A is devoted entirely to the performance of a classical repertoire and offers 10 concerts throughout the year, while Series B consists of six pops concerts and serves to
broaden the audience base of the ensemble.
Since programming needs change from concert to concert, musicians are hired on a perservice basis. (A service is either a rehearsal or a concert.) They are paid at differential average
rates due to instrumental doubling requirements and also due to solo pay for woodwinds, percussion, and brass players. After the budget has been set, variances in musician costs are the result of changes in programming and rehearsal scheduling. Programming changes can cause different numbers of musicians to be needed for a particular series of rehearsals and concerts or can change the doubling requirements. Changes in rehearsal scheduling can alter needs for certain families of instruments at some rehearsals. For example, one Series A concert usually consists of six services, but not all instruments are required at each service. Programming and rehearsal scheduling are decided by the music director, Maestro Fritz Junger, but musician cost constraints are imposed by the director of production, Candice Wrightway. Budgeted and actual musician costs for the 2010–2011 season follow.


When the budget was prepared at the beginning of the year, Alan Voit, director of marketing, admitted that projected ticket sales for the two series were optimistic, but he believed that his innovative advertising campaign would help the orchestra meet its goal. Although pops sales came in almost exactly on target, a devastating ice storm caused the cancellation of one of the classical concerts. Unfortunately, rehearsals had already been held and the musicians had been paid for their services. Series sales figures for the three levels of ticket prices follow.
As with any orchestra, ticket sales alone are never enough to totally cover expenses, so the
director of development, Lydia Givme, is responsible for the coordination of fundraising in the
community. Unfortunately, the goals set at the beginning of the year did not anticipate an extended recession, with potential private, corporate, and government contributors tightening their fiscal belts.
Additional expenses include a long-term rental agreement for the hall, a permanent conductor, guest artists, music rental and advertising costs, and variable production costs based on total services. Music rental and advertising are treated as fixed expenses even though their cost may vary during the course of the season. Here are budgeted fixed and variable expenses for 2010–2011.
The income statement for 2010–2011 follows.
Required:
a. Calculate a flexible budget for the Lancaster Chamber Orchestra’s 2010–2011 season.
b. After calculating the flexible budget, Randall Nobucs, director of finance, found a total unfavorable variance in net income of $53,158. Account for this unfavorable variance by calculating
(1) Revenue variances.
(2) Labor efficiency variances.
(3) Overhead efficiency and overhead spending variances.
c. Nobucs is concerned that if the orchestra faces similar problems in the next season, the accumulated deficit will cause bankruptcy. He argues with Alan Voit that a 15 percent increase in ticket prices would ensure a balanced budget for the 2010–2011 season. Discuss the feasibility of this strategy.
d. In examining the income statement, CEO Peter Morris is puzzled. He believes that all of his senior staff members are superb and is not sure where to lay the blame for the orchestra’s dismal financial performance. Discuss the areas of specialized knowledge involved in the operation. Which person should be held accountable for each variance?

The Lancaster Chamber Orchestra is a small community orchestra that offers two distinct concert
series for its patrons. Series A is devoted entirely to the performance of a classical repertoire and offers 10 concerts throughout the year, while Series B consists of six pops concerts and serves to
broaden the audience base of the ensemble.
Since programming needs change from concert to concert, musicians are hired on a perservice basis. (A service is either a rehearsal or a concert.) They are paid at differential average
rates due to instrumental doubling requirements and also due to solo pay for woodwinds, percussion, and brass players. After the budget has been set, variances in musician costs are the result of changes in programming and rehearsal scheduling. Programming changes can cause different numbers of musicians to be needed for a particular series of rehearsals and concerts or can change the doubling requirements. Changes in rehearsal scheduling can alter needs for certain families of instruments at some rehearsals. For example, one Series A concert usually consists of six services, but not all instruments are required at each service. Programming and rehearsal scheduling are decided by the music director, Maestro Fritz Junger, but musician cost constraints are imposed by the director of production, Candice Wrightway. Budgeted and actual musician costs for the 2010–2011 season follow.


When the budget was prepared at the beginning of the year, Alan Voit, director of marketing, admitted that projected ticket sales for the two series were optimistic, but he believed that his innovative advertising campaign would help the orchestra meet its goal. Although pops sales came in almost exactly on target, a devastating ice storm caused the cancellation of one of the classical concerts. Unfortunately, rehearsals had already been held and the musicians had been paid for their services. Series sales figures for the three levels of ticket prices follow.
As with any orchestra, ticket sales alone are never enough to totally cover expenses, so the
director of development, Lydia Givme, is responsible for the coordination of fundraising in the
community. Unfortunately, the goals set at the beginning of the year did not anticipate an extended recession, with potential private, corporate, and government contributors tightening their fiscal belts.
Additional expenses include a long-term rental agreement for the hall, a permanent conductor, guest artists, music rental and advertising costs, and variable production costs based on total services. Music rental and advertising are treated as fixed expenses even though their cost may vary during the course of the season. Here are budgeted fixed and variable expenses for 2010–2011.
The income statement for 2010–2011 follows.
Required:
a. Calculate a flexible budget for the Lancaster Chamber Orchestra’s 2010–2011 season.
b. After calculating the flexible budget, Randall Nobucs, director of finance, found a total unfavorable variance in net income of $53,158. Account for this unfavorable variance by calculating
(1) Revenue variances.
(2) Labor efficiency variances.
(3) Overhead efficiency and overhead spending variances.
c. Nobucs is concerned that if the orchestra faces similar problems in the next season, the accumulated deficit will cause bankruptcy. He argues with Alan Voit that a 15 percent increase in ticket prices would ensure a balanced budget for the 2010–2011 season. Discuss the feasibility of this strategy.
d. In examining the income statement, CEO Peter Morris is puzzled. He believes that all of his senior staff members are superb and is not sure where to lay the blame for the orchestra’s dismal financial performance. Discuss the areas of specialized knowledge involved in the operation. Which person should be held accountable for each variance?
When the budget was prepared at the beginning of the year, Alan Voit, director of marketing, admitted that projected ticket sales for the two series were optimistic, but he believed that his innovative advertising campaign would help the orchestra meet its goal. Although pops sales came in almost exactly on target, a devastating ice storm caused the cancellation of one of the classical concerts. Unfortunately, rehearsals had already been held and the musicians had been paid for their services. Series sales figures for the three levels of ticket prices follow.
The Lancaster Chamber Orchestra is a small community orchestra that offers two distinct concert
series for its patrons. Series A is devoted entirely to the performance of a classical repertoire and offers 10 concerts throughout the year, while Series B consists of six pops concerts and serves to
broaden the audience base of the ensemble.
Since programming needs change from concert to concert, musicians are hired on a perservice basis. (A service is either a rehearsal or a concert.) They are paid at differential average
rates due to instrumental doubling requirements and also due to solo pay for woodwinds, percussion, and brass players. After the budget has been set, variances in musician costs are the result of changes in programming and rehearsal scheduling. Programming changes can cause different numbers of musicians to be needed for a particular series of rehearsals and concerts or can change the doubling requirements. Changes in rehearsal scheduling can alter needs for certain families of instruments at some rehearsals. For example, one Series A concert usually consists of six services, but not all instruments are required at each service. Programming and rehearsal scheduling are decided by the music director, Maestro Fritz Junger, but musician cost constraints are imposed by the director of production, Candice Wrightway. Budgeted and actual musician costs for the 2010–2011 season follow.


When the budget was prepared at the beginning of the year, Alan Voit, director of marketing, admitted that projected ticket sales for the two series were optimistic, but he believed that his innovative advertising campaign would help the orchestra meet its goal. Although pops sales came in almost exactly on target, a devastating ice storm caused the cancellation of one of the classical concerts. Unfortunately, rehearsals had already been held and the musicians had been paid for their services. Series sales figures for the three levels of ticket prices follow.
As with any orchestra, ticket sales alone are never enough to totally cover expenses, so the
director of development, Lydia Givme, is responsible for the coordination of fundraising in the
community. Unfortunately, the goals set at the beginning of the year did not anticipate an extended recession, with potential private, corporate, and government contributors tightening their fiscal belts.
Additional expenses include a long-term rental agreement for the hall, a permanent conductor, guest artists, music rental and advertising costs, and variable production costs based on total services. Music rental and advertising are treated as fixed expenses even though their cost may vary during the course of the season. Here are budgeted fixed and variable expenses for 2010–2011.
The income statement for 2010–2011 follows.
Required:
a. Calculate a flexible budget for the Lancaster Chamber Orchestra’s 2010–2011 season.
b. After calculating the flexible budget, Randall Nobucs, director of finance, found a total unfavorable variance in net income of $53,158. Account for this unfavorable variance by calculating
(1) Revenue variances.
(2) Labor efficiency variances.
(3) Overhead efficiency and overhead spending variances.
c. Nobucs is concerned that if the orchestra faces similar problems in the next season, the accumulated deficit will cause bankruptcy. He argues with Alan Voit that a 15 percent increase in ticket prices would ensure a balanced budget for the 2010–2011 season. Discuss the feasibility of this strategy.
d. In examining the income statement, CEO Peter Morris is puzzled. He believes that all of his senior staff members are superb and is not sure where to lay the blame for the orchestra’s dismal financial performance. Discuss the areas of specialized knowledge involved in the operation. Which person should be held accountable for each variance?
As with any orchestra, ticket sales alone are never enough to totally cover expenses, so the director of development, Lydia Givme, is responsible for the coordination of fundraising in the community. Unfortunately, the goals set at the beginning of the year did not anticipate an extended recession, with potential private, corporate, and government contributors tightening their fiscal belts. Additional expenses include a long-term rental agreement for the hall, a permanent conductor, guest artists, music rental and advertising costs, and variable production costs based on total services. Music rental and advertising are treated as fixed expenses even though their cost may vary during the course of the season. Here are budgeted fixed and variable expenses for 2010–2011.
The Lancaster Chamber Orchestra is a small community orchestra that offers two distinct concert
series for its patrons. Series A is devoted entirely to the performance of a classical repertoire and offers 10 concerts throughout the year, while Series B consists of six pops concerts and serves to
broaden the audience base of the ensemble.
Since programming needs change from concert to concert, musicians are hired on a perservice basis. (A service is either a rehearsal or a concert.) They are paid at differential average
rates due to instrumental doubling requirements and also due to solo pay for woodwinds, percussion, and brass players. After the budget has been set, variances in musician costs are the result of changes in programming and rehearsal scheduling. Programming changes can cause different numbers of musicians to be needed for a particular series of rehearsals and concerts or can change the doubling requirements. Changes in rehearsal scheduling can alter needs for certain families of instruments at some rehearsals. For example, one Series A concert usually consists of six services, but not all instruments are required at each service. Programming and rehearsal scheduling are decided by the music director, Maestro Fritz Junger, but musician cost constraints are imposed by the director of production, Candice Wrightway. Budgeted and actual musician costs for the 2010–2011 season follow.


When the budget was prepared at the beginning of the year, Alan Voit, director of marketing, admitted that projected ticket sales for the two series were optimistic, but he believed that his innovative advertising campaign would help the orchestra meet its goal. Although pops sales came in almost exactly on target, a devastating ice storm caused the cancellation of one of the classical concerts. Unfortunately, rehearsals had already been held and the musicians had been paid for their services. Series sales figures for the three levels of ticket prices follow.
As with any orchestra, ticket sales alone are never enough to totally cover expenses, so the
director of development, Lydia Givme, is responsible for the coordination of fundraising in the
community. Unfortunately, the goals set at the beginning of the year did not anticipate an extended recession, with potential private, corporate, and government contributors tightening their fiscal belts.
Additional expenses include a long-term rental agreement for the hall, a permanent conductor, guest artists, music rental and advertising costs, and variable production costs based on total services. Music rental and advertising are treated as fixed expenses even though their cost may vary during the course of the season. Here are budgeted fixed and variable expenses for 2010–2011.
The income statement for 2010–2011 follows.
Required:
a. Calculate a flexible budget for the Lancaster Chamber Orchestra’s 2010–2011 season.
b. After calculating the flexible budget, Randall Nobucs, director of finance, found a total unfavorable variance in net income of $53,158. Account for this unfavorable variance by calculating
(1) Revenue variances.
(2) Labor efficiency variances.
(3) Overhead efficiency and overhead spending variances.
c. Nobucs is concerned that if the orchestra faces similar problems in the next season, the accumulated deficit will cause bankruptcy. He argues with Alan Voit that a 15 percent increase in ticket prices would ensure a balanced budget for the 2010–2011 season. Discuss the feasibility of this strategy.
d. In examining the income statement, CEO Peter Morris is puzzled. He believes that all of his senior staff members are superb and is not sure where to lay the blame for the orchestra’s dismal financial performance. Discuss the areas of specialized knowledge involved in the operation. Which person should be held accountable for each variance?
The income statement for 2010–2011 follows.
The Lancaster Chamber Orchestra is a small community orchestra that offers two distinct concert
series for its patrons. Series A is devoted entirely to the performance of a classical repertoire and offers 10 concerts throughout the year, while Series B consists of six pops concerts and serves to
broaden the audience base of the ensemble.
Since programming needs change from concert to concert, musicians are hired on a perservice basis. (A service is either a rehearsal or a concert.) They are paid at differential average
rates due to instrumental doubling requirements and also due to solo pay for woodwinds, percussion, and brass players. After the budget has been set, variances in musician costs are the result of changes in programming and rehearsal scheduling. Programming changes can cause different numbers of musicians to be needed for a particular series of rehearsals and concerts or can change the doubling requirements. Changes in rehearsal scheduling can alter needs for certain families of instruments at some rehearsals. For example, one Series A concert usually consists of six services, but not all instruments are required at each service. Programming and rehearsal scheduling are decided by the music director, Maestro Fritz Junger, but musician cost constraints are imposed by the director of production, Candice Wrightway. Budgeted and actual musician costs for the 2010–2011 season follow.


When the budget was prepared at the beginning of the year, Alan Voit, director of marketing, admitted that projected ticket sales for the two series were optimistic, but he believed that his innovative advertising campaign would help the orchestra meet its goal. Although pops sales came in almost exactly on target, a devastating ice storm caused the cancellation of one of the classical concerts. Unfortunately, rehearsals had already been held and the musicians had been paid for their services. Series sales figures for the three levels of ticket prices follow.
As with any orchestra, ticket sales alone are never enough to totally cover expenses, so the
director of development, Lydia Givme, is responsible for the coordination of fundraising in the
community. Unfortunately, the goals set at the beginning of the year did not anticipate an extended recession, with potential private, corporate, and government contributors tightening their fiscal belts.
Additional expenses include a long-term rental agreement for the hall, a permanent conductor, guest artists, music rental and advertising costs, and variable production costs based on total services. Music rental and advertising are treated as fixed expenses even though their cost may vary during the course of the season. Here are budgeted fixed and variable expenses for 2010–2011.
The income statement for 2010–2011 follows.
Required:
a. Calculate a flexible budget for the Lancaster Chamber Orchestra’s 2010–2011 season.
b. After calculating the flexible budget, Randall Nobucs, director of finance, found a total unfavorable variance in net income of $53,158. Account for this unfavorable variance by calculating
(1) Revenue variances.
(2) Labor efficiency variances.
(3) Overhead efficiency and overhead spending variances.
c. Nobucs is concerned that if the orchestra faces similar problems in the next season, the accumulated deficit will cause bankruptcy. He argues with Alan Voit that a 15 percent increase in ticket prices would ensure a balanced budget for the 2010–2011 season. Discuss the feasibility of this strategy.
d. In examining the income statement, CEO Peter Morris is puzzled. He believes that all of his senior staff members are superb and is not sure where to lay the blame for the orchestra’s dismal financial performance. Discuss the areas of specialized knowledge involved in the operation. Which person should be held accountable for each variance?
Required: a. Calculate a flexible budget for the Lancaster Chamber Orchestra’s 2010–2011 season. b. After calculating the flexible budget, Randall Nobucs, director of finance, found a total unfavorable variance in net income of $53,158. Account for this unfavorable variance by calculating (1) Revenue variances. (2) Labor efficiency variances. (3) Overhead efficiency and overhead spending variances. c. Nobucs is concerned that if the orchestra faces similar problems in the next season, the accumulated deficit will cause bankruptcy. He argues with Alan Voit that a 15 percent increase in ticket prices would ensure a balanced budget for the 2010–2011 season. Discuss the feasibility of this strategy. d. In examining the income statement, CEO Peter Morris is puzzled. He believes that all of his senior staff members are superb and is not sure where to lay the blame for the orchestra’s dismal financial performance. Discuss the areas of specialized knowledge involved in the operation. Which person should be held accountable for each variance?





Transcribed Image Text:

LANCASTER CHAMBER ORCHESTRA Musicians' Budget 2010-2011 Series A Budget Actual Average Number of Services per Number of Services pe Instrument Family Rate Musicians Musician Musicians Musician $65/hour $62/hour $58/hour $55/hour Woodwinds 11 60 10 56 Brass 10 55 12 53 Percussion 3 50 3 52 Strings 25 60 28 59 Series B Budget Actual Average Number of Services per Number of Services per Instrument Family Rate Musicians Musician Musicians Musician $65/hour $62/hour $8/hour $55/hour Woodwinds 21 10 23 Вrass 14 24 12 24 Percussion 5 24 3 24 Strings 22 21 28 19 LANCASTER CHAMBER ORCHESTRA Revenue Budget 2010-2011 Series A Budget (10 Concerts) Actual (9 Concerts) Capacity per Concert Price Attendance Revenue Attendance Revenue $12 800 7,500 $90,000 6,030 S72,360 15 300 2,800 42,000 2,475 37,125 20 150 1,300 26,000 1,260 25,200 Series B Budget (6 Concerts) Actual (6 Concerts) Capacity per Concert Price Attendance Revenue Attendance Revenue $14 $65,520 26,880 800 4,680 4,734 S66,276 16 300 1,680 1,704 27,264 25 150 900 22,500 852 21,300 LANCASTER CHAMBER ORCHESTRA Budgeted Fixed and Variable Expenses 2010-2011 Series A Series B Rent $8,000 $4,800 Conductors 30,000 12,200 Guest artists 18,000 6,000 800 Music rental 450 Advertising Variable production 10,000 6,000 $15/musician service $15/musician service LANCASTER CHAMBER ORCHESTRA Income Statement 2010-2011 Budget Actual Earned income Ticket revenue $ 272,900 $ 249,525 Operating expenses Musicians 232,322 241,982 Hall rental 12,800 12,800 Conductors 42,200 42,200 Guest artists 24,000 24,000 Music rental 1,250 1,100 Advertising Variable production 16,000 16,200 59,190 63,953 Total expenses $ 387,762 $ 402,235 Operating income S(114,862) S(152,710) Other income Private and corporate contributions Public funding 100,000 95,000 25,000 20,000 Total other income $ 125,000 $ 115,000 S (37,710) Net surplus/(deficit) $ 10,138



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> A Wall Street Journal article (December 26, 1996) describes a series of changes at the Pratt & Whitney plant in Maine that manufactures parts for jet engines. In 1993 it was about to be closed because of high operating costs and inefficiencies. A new pla

> At the beginning of year 1, Northern Sun, Inc., a food processing concern, is considering a new line of frozen entrees. The accompanying table shows projected cash outflows and inflows. Assume that all inflows and outflows are end-of-period payments. Req

> Golf World is a 1,000-room luxury resort with swimming pools, tennis courts, three golf courses, and many other resort amenities. The head golf course superintendent, Sandy Green, is responsible for all golf course maintenance and conditioning. Green als

> Brehm Vineyards grows a unique white pinot noir grape that they use to produce a white wine that is in high demand. Brehm uses all the grapes they can grow to produce their own white pinot noir wine. Brehm pinot noir wine contains 100 percent Brehm-grown

> The keyboard division of XBT, a personal computer manufacturing firm, fabricates 50-key keyboards for both XBT and non-XBT computers. Keyboards for XBT machines are included as part of the XBT personal computer and are also sold separately. The keyboard

> Turow Trailers assembles horse trailers. Two models are manufactured: G7 and V8. While labor intensive, the production process is not very complicated. The single plant produces all the trailers with 48 work teams of two or three workers. Sixteen supervi

> Golf Specialties (GS), a Belgian company, manufactures a variety of golf paraphernalia, such as head covers for woods, embroidered golf towels, and umbrellas. GS sells all its products exclusively in Europe through independent distributors. Given the pop

> Diagnostic Imaging Software (DIS) is the leading producer of imaging software for the health sciences. DIS develops, writes, produces, and sells its software through two direct selling organizations: North America and South America. Each of these direct

> Critically evaluate the statement: The step-down method is better than the direct allocation method because at least the step-down method captures on average half of the service flows between service departments. By comparison, the direct allocation meth

> Background Economists and managers have long recognized the importance of productivity in determining an organization’s success. Productivity is the relation between the firm’s output of goods and services and the inpu

> A proposed cost-saving device has an installed cost of $59,400. It will be depreciated for tax purposes on a straight-line basis over three years (zero salvage), although its actual life will be five years. The tax rate is 34 percent and the required rat

> Background Artisans Shirtcraft manufactures and sells hand-painted shirts of original design. The company was founded in 1999 by three sisters: Cathy, Linda, and Valerie Montgomery. Shirtcraft started out as a means of financing a hobby; profits from shi

> Flat Images develops and manufactures large, state-of-the-art flat-panel television screens that consumer electronic companies purchase and incorporate into a complete TV unit by adding the case, mounting brackets, tuner, amplifier, other electronics, an

> Exotic Roses, owned by Margarita Rameriz, provides a variety of rare rose bushes to local nurseries that sell Rameriz’s roses to the end consumer (landscapers and retail customers). Rameriz grows the roses from cuttings that she has spe

> Frames, Inc., manufactures two types of metal frames: large and small. Steel angle iron is first cut to the appropriate sizes; the pieces are then welded together to form the frames. The process involves a high degree of automation. There is considerable

> In 1995 Global Oil Corporation’s Marketing and Refining (M&R) Division was the fifth largestU.S. refiner with 7,700 Global-branded service stations selling about 23 million gallons per day, or 7 percent of the nation’s gasoline. All the service stations

> Giza Farms in Cairo, Egypt, has a corporate headquarters staff and three operating divisions: consulting services, chemicals, and agricultural products. Giza is considering allocating 160 million Egyptian pounds of corporate overhead (which includes sala

> Beckett Manufacturing is a contract manufacturer that assembles products for other companies. Beckett has two service departments, Maintenance and Administration, and two operating divisions, Small Components and Large Components. The following data summ

> Plastic Chairs manufactures plastic lawn chairs using a combination of new and recycled plastic. Varying amounts of each type of plastic can be used to produce a batch of 100 chairs. The table below lists the various combinations of recycled and new plas

> ITI Technology designs and manufactures solid-state computer chips. In one of the production departments, employees fabricate a six-inch circular wafer by laying down successive layers of silicon and then etching the circuits into the layers. Each wafer

> R&D Inc. has the following financial data for the current year (millions): Earnings before R&D expenditures……………………………………. $21.5 Interest expense……………………………….………………………………. $0.0 R&D expenditures…………………………….………………………………. $6.0 Total invested capital (excl

> Blauvelt Products uses a flexible budget to set the overhead rate at the beginning of the year based on units produced. In year 1 budgeted fixed overhead is $1 million and budgeted variable overhead is $2 per unit. Direct material and direct labor togeth

> Is it preferable to use an accelerated depreciation method rather than the straight-line method for tax purposes?

> Robert S. Kaplan in “One Cost System Isn’t Enough” (Harvard Business Review, January–February 1988, pp. 61–66) states, No single system can adequately answer the demands made by diverse functions of cost systems. While companies can use one method to cap

> Commando Force is a new set of children’s action toys consisting of three separately sold pieces: Matt, Kim, and the multi-terrain vehicle (MTV). The MTV can be used by itself or it can hold Matt or Kim or both. With male and female act

> Madden International is a large ($7 billion sales), successful international pharmaceuticals firm operating in 23 countries with 15 autonomous subsidiaries. The corporate office consists of five vice presidents who oversee the operations of the subsidiar

> The Transfer Price Company has two divisions (Intermediate and Final) that report to the corporate office (Corporate). The two divisions are profit centers. Intermediate produces a proprietary product (called “intermedâ€&#157

> ICB has four manufacturing divisions, each producing a particular type of cosmetic or beauty aid. These products are then transferred to five marketing divisions, each covering a particular geographic region. Manufacturing and marketing divisions are fre

> Logical Solutions reports the following overhead variances for 2010: Spending variance …………………………………$100,000 F Efficiency variance …………………………………$100,000 F Volume variance …………………………………..$300,000 F In addition, actual overhead incurred in 2010 was $1 mill

> Repro Corporation is the leading manufacturer and seller of office equipment. Its most profitable business segment is the production and sale of large copiers. The company is currently organized into two divisions: manufacturing and sales. Manufacturing

> The Ogden plant makes Beanie Babies, small stuffed toys in a variety of animal shapes. The toys are so popular that they have become collectors’ items. The plant uses a flexible budget and predetermined overhead rates to assign overhead costs to the diff

> Geico is considering expanding an existing plant on a piece of land it already owns. The land was purchased 15 years ago for $325,000 and its current market appraisal is $820,000. A capital budgeting analysis shows that the plant expansion has a net pres

> You work for the strategy group of Adapt Inc., a firm that designs and manufactures memory cards for digital cameras. Your task is to gather intelligence about Adapt’s key competitor, DigiMem, a privately held company. Your boss has asked you to estimate

> Rothwell Inc. is the leader in computer-integrated manufacturing and factory automation products and services. The Rothwell product offering is segmented into 15 product categories, based on product function and primary manufacturing location. Rothwell’s

> Sunder manufactures hard rubber pet toys. The purple dog chewy has a variable cost of $3.00 per unit. It is produced on a machine that is leased. The three models of this machine have three different capacities. Maximum Daily Daily Lease Capacity (Units)

> Eastern Educational Services is considering the following proposal to sell its teaching machine and purchase a new, improved machine. The following data are presented by the department head: Additional information: 1. The company expects to produce 10,00

> JLE Electronics is an independent contract manufacturer of complex printed circuit board assemblies. Computer companies and other electronics firms engage JLE to assemble their boards. Utilizing computer-controlled manufacturing and test machinery and eq

> Salespeople at a particular firm forecast what they expect to sell next period. Their supervisors then review the forecasts and make revisions. These forecasts are used to set production and purchasing plans. In addition, salespeople receive a fixed bonu

> The Mopart Division produces a single product. Its standard cost system uses a flexible budget to assign indirect costs on the basis of standard direct labor hours. At the budgeted volume of 4,000 direct labor hours, the standard cost per unit is as foll

> The standard cost sheet calls for 80 pounds of zinc per batch of 70 faucets. Zinc has a standard price of $5.10 per pound. One thousand pounds of zinc are purchased for $5,530. Ten batches of the faucets are produced, and 840 pounds of zinc are used. The

> Kitchen Rite is considering outsourcing the production of a steel chassis that is used in a kitchen appliance. Two thousand chassis are produced per month. An outside vendor will supply an identical chassis for $9.90. The chassis is manufactured in two s

> A firm has four service centers, S1, S2, S3, and S4, which provide services to each other, as well as to three operating divisions, A, B, and C. The distribution of each service center’s output as well as its cost (in millions) is given

> Employees at White’s Department Store are observed engaging in the following behavior: (1) They hide items that are on sale from the customers and (2) they fail to expend appropriate effort in designing merchandise displays. They are also uncooperative w

> The Mowerson Division of Brown Instruments manufactures testing equipment for the automobile industry. Mowerson’s equipment is installed in several places along an automobile assembly line for component testing and is also used for reco

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See Answer